The Tether: Poems
(eBook)

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Published
Farrar, Straus and Giroux, 2014.
Physical Description
0m 0s
Format
eBook
Language
English
ISBN
9781466880078

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Citations

APA Citation, 7th Edition (style guide)

Carl Phillips., & Carl Phillips|AUTHOR. (2014). The Tether: Poems . Farrar, Straus and Giroux.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Carl Phillips and Carl Phillips|AUTHOR. 2014. The Tether: Poems. Farrar, Straus and Giroux.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Carl Phillips and Carl Phillips|AUTHOR. The Tether: Poems Farrar, Straus and Giroux, 2014.

MLA Citation, 9th Edition (style guide)

Carl Phillips, and Carl Phillips|AUTHOR. The Tether: Poems Farrar, Straus and Giroux, 2014.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouping Information

Grouped Work ID6c27f4fb-9bb4-f8e0-178e-a422c23fb121-eng
Full titletether
Authorphillips carl
Grouping Categorybook
Last Update2024-06-30 20:25:48PM
Last Indexed2024-10-12 04:17:40AM

Hoopla Extract Information

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    [synopsis] => Graceful and resonant new work by a lyric poet at the height of his skill.
 "Like something broken of wing,
 lying there.
 Other than breathing's rise, catch,
 release,
 a silence, as of some especially wounded
 animal that, nevertheless, still
 is conscious,
 you can see
 straight through the open
 eye to where instinct falters because
 for once it has come
 divided"
 
 -from "Chamber Music"
 
 In the art of falconry, during training the tether between the gloved fist and the raptor's anklets is gradually lengthened and eventually unnecessary. In these new lyric poems, Carl Phillips considers the substance of connection, between lover and beloved, mind and body, talon and perch, and it’s the cable of mutual trust between soaring figure and shadowed ground. Contemporary literature can perhaps claim no poetry more clearly allegorical than that of Carl Phillips, whose four collections have turned frequently to nature, myth, and history for illustration; still, readers know the primary attributes of his work to be its physicality, grace, and disarming honesty about desire and faith.
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