Yumi comes from a land of gardens, meditation, and spirits, while Painter lives in a world of darkness, technology, and nightmares. When their lives suddenly become intertwined in strange ways, can they put aside their differences and work together to uncover the mysteries of their situation and save each other's communities from certain disaster?

Born to be a sorceress. Cursed to be an assassin. Chosen to be his empress.

Magic has two immutable rules—every spell requires a sacrifice and every curse can be broken.

Amira Brindonu is a sorceress turned assassin, bound in a curse that forces her to obey her father, even to the point of high treason. When he orders her to kill the future emperor, she fails, but discovers a secret that could

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For more than two hundred years, the Owens women had been blamed for everything that went wrong in their Massachusetts town. And Gillian and Sally endured that fate as well; as children, the sisters were outsiders. Their elderly aunts almost seemed to encourage the whispers of witchery, but all Gillian and Sally wanted was to escape. One would do so by marrying, the other by running away. But the bonds they shared brought them back, almost as if by...

She broke her curse, but can they break his?
Amira Brindonu has done the impossible—she broke her own curse and rescued the imperial archduke from Empress Vesha's witchcraft. Saving the man she loves should have been a good thing, but by doing so, Amira has upset the delicate pact between the cythraul demons of the Dread Marches and the Erymayan Empire, with far-reaching consequences she and Daindreth can only begin to

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The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave...

To free the man she loves, she must face those who enslaved them both.

Against all odds, Amira and Daindreth found the Istovari sorceresses deep within the perilous Cursewood. But that turns out to be only the beginning.

They find the sorceresses greatly weakened and lacking the power they once had. The Istovari claim to be unable to free Daindreth from the curse they placed on him. Worse, most of them want

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Carivel was born female, but she has been secretly living as a boy for years in her adoptive village of Draebard. The last thing she needs is to fall for not one but two unattainable men - a dominating warrior and a reluctant wolf-shifter with a horrific past. Now the Alyrion Empire is poised to invade, and Carivel must choose whether to keep her secret or reveal it - not only to the men she loves but also to the powerful female ruler whose army could...

Pickman's Model is a short story by H. P. Lovecraft, written in September 1926 and first published in the October 1927 issue of Weird Tales. The story revolves around a Bostonian painter named Richard Upton Pickman who creates horrifying images. His works are brilliantly executed, but so graphic that they result in his membership in the Boston Art Club being revoked and himself shunned by his fellow artists.

He had invented something disturbingly like a time machine and was on his way to the Pentagon with the plans when the bombs fell. And that was the end of that, along with his family and the entire city of Detroit and every other major city in the nation. But he was still alive 3 years later and scrabbling in the dirt to grow enough food to live. Food that hopefully didn't turn around and try to bite him due to the all too frequent mutations. One day...

Starts with the birth and ends with the first birthday celebrations of the heir to the grand, tradition-bound castle of Gormenghast. A grand miasma of doom and foreboding weaves over the sterile rituals of the castle. Villainous Steerpike seeks to exploit the gaps between the formal rituals and the emotional needs of the ruling family for his own profit.